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Yaxue Cao, December 31, 2016     If it wasn’t for the “Safety House” in which he was hiding as he wrote, the opening paragraph of Lam Wing Kee’s personal account would be beguilingly insouciant: there he stands at the window, painting his view of the Lei Yue Mun bay in the dazzling late afternoon light, with precise, unhurried sentences. It is with this dissonant scene that Mr. Lam begins his narration of eight months of secret captivity in mainland China. Doing what he had for years – hauling suitcases of tabloid-style exposés about Chinese leaders and politics to mainland China, and then mailing them to clients – he was stopped at customs in Shenzhen one day in October 2015 and pulled aside for questioning. […]


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