Today, we continue our ongoing series on Ai Weiwei’s book, Time and place. A World Without Honor By 2006 China had already tapped Zhang Yimou to direct the opening ceremony of the Beijing Olympics. To Ai this was completely unacceptable, and he decided to devote a rather fiery post to the injustice of this decision. It was shortly before this that the once daring director had begun to back away from the line. As a friend who had attended film school with Zhang told me, it seemed to her that the gov’t had finally “gotten” him. But Ai’s essay is still relevant today, especially as we sit through two more weeks of Olympics. He says, “Every competition has a winner, and the victorious side always […]
Picking up from where Hannah left off yesterday, I want to look at a couple ideas from Ai Weiwei’s essays that jumped out at me. Chinese Contemporary in Dilemma and Transition Ai’s essays provide a great reminder of why Ai was so popular in China before the West took an interest in him – he isn’t speaking to a western audience and he is directly challenging Chinese culture. In fact much of his essay on Chinese art is in direct opposition to how the gov’t tried to paint him after his arrest; Ai is in no way infatuated with Western ideology, as he wants to see a strong and prosperous Chinese art scene, and by extension China. That Chinese artists should resist western influence, and […]
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