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Global Announcement of the Memorial on the First Anniversary of Liu Xiaobo’s Passing

Gethsemane Church, Berlin, June 26, 2018

 

Liu Xiaobo_memorial_the spiritual fighter (The Geistkämpfer (spiritual fighter) by Ernst Barlach.)

The Geistkämpfer (spiritual fighter) by Ernst Barlach. Source: online photo.

 

 

Upon the first anniversary of the death of Nobel Peace Prize Laureate Liu Xiaobo, a public memorial will be held in the Gethsemane Church (at Stargarder Str. 77, 10437) in Berlin, on July 13, 2018, at 6:00 p.m. On this day last year, China’s most famous political prisoner perished in custody, under tight surveillance and official control, in a hospital in Shenyang, Liaoning Province. Two days later the world saw his ashes scattered in the Yellow Sea.

The Gethsemane Church in Berlin is as renowned as the Nikolai Church in Leipzig — both of which were important refuges for East German dissidents. A few days before the fall of the Berlin Wall, Gethsemane sternly rejected the entry of a police-military manhunt, and provided asylum to over a thousand underground rebels. The church is also well-known for hosting Rolf Reuter’s (music director of Komische Oper company) conducting of Beethoven’s Third Symphony, followed by his speech with the lines that “The Wall Must Go!”, which shocked the East. On the evening of October 9, 1989, when the church’s late service finished, protesters walked outside still holding their candles and stood in the streets by their tens of thousands — a prelude to the collapse of the Communist Party of Germany.

We thus feel that the Gethsemane Church — sacred ground for human rights and democracy — is the ideal location for a memorial and prayer service for a man who fought till his death for those very values. The church sounds an alarm for a world upon the cusp of transformation: the Berlin Wall has been rubble for 29 years, but the economically powerful Chinese dictatorship continues to imprison over a billion members of the human race behind its own ‘Berlin Wall,’ which it keeps expanding. The 10,000 or more victims of the Tiananmen slaughter have received no restitution, and China’s Gulag Archipelago is distributed and hidden in untold corners of the country, in which new dissidents are arrested and imprisoned every day. In another time and another place, Liu Xiaobo would have been an East German — one full of bravery who scaled and pushed over the Berlin Wall, and died riddled with bullets for it.

The organizer of the memorial is the German pastor Roland Kühne, long associated with human rights causes. Rallied to action by the plight of the imprisoned Nobel Peace Prize Laureate, Kühne has from 2010 to this day led hundreds of vocational college students to hold protests outside the Chinese embassy in Germany. Last year they carried aloft a coffin as part of the demonstration. Another organizer, Tienchi Martin-Liao (廖天琪), is the chief editor of Liu’s works in Chinese, German, and English; she also serves as president of the Independent Chinese PEN Center, and is a longtime ‘comrade-in-arms’ with Kühne.

Kühne and Martin-Liao will preside over the memorial service. Opening the event will be the 82-year-old Berlin Wall-era poet, singer, and Georg Büchner Prize Laureate, Wolf Biermann, a household name in Germany. Biermann ‘defected’ from East Berlin in 1976, then held a famous concert, attended by over 10,000, in the Cologne Sporthalle. His 1974 ‘In China hinter der Mauer’ (In China Behind the Wall) infuriated the Communist Party of Germany, and he was eventually expatriated by the Party.

Biermann has since last year also been tireless in his efforts to help get Liu Xiaobo and Liu Xia out of China. To this end, he’ll be singing ‘A Dirge to Jürgen Fuchs.’ Memories of Fuchs, a dear friend of Biermann who was secretly arrested in 1976, were the first thing to flood to Biermann’s mind on the day that Liu died. Fuchs was locked up in the Volkseigener Betrieb (VEB) People’s Prison, where he was irradiated with gamma rays on a daily basis by intelligence operatives posing as doctors. He silently fell ill and died of leukemia, becoming a famous case of radiation poisoning. Biermann sees Liu Xiaobo as a similar warrior belonging to all mankind, one who fell into the hands of the enemy in the battle for freedom, yet kept resisting until the end.

Herta Müller, one of Germany’s most famous poets and herself a Nobel Laureate in literature, will read in German poems composed by Liu Xia, which Müller translated from English. Müller was one of the key nominators of Liu Xiaobo for the Nobel Peace Prize. Her literary works — including The Hunger Angel (Atemschaukel), Nadirs (Niederungen), and My Homeland Was an Appleseed (Mein Vaterland war ein Apfelkern) — all depict the daily experiences and struggles of life under communist dictatorship. Müller has long taken a close interest in China’s political prisoners and exiles, and has been a key figure involved in the attempts to rescue Liu Xiaobo and Liu Xia, from last year to this day.

Exile Chinese author and musician Liao Yiwu (廖亦武), an old friend to Liu Xiaobo and Liu Xia and winner of the Peace Prize of the German Book Trade, will be joining with the young German violinist Fabian Lukas Voigtschild to perform the new work ‘Liu Xiaobo’s Last Moments’ (《劉曉波的最後時刻》). The inspiration for the work came from a phrase spoken by Liu Xia in an August 31, 2017 telephone conversation with Liao: “He [Liu Xiaobo] told me I had to get out of the country.… In the end he stopped speaking — he just kicked his leg to show what he meant. His legs kept moving, almost like he was walking, non-stop, for over an hour, both legs walking non-stop… without cease, without cease…”

American author and Pulitzer Prize winner Ian Johnson will give a speech on the day. Johnson is a long-time resident of Beijing and has interviewed numerous dissidents as a correspondent for The New York Times, The Wall Street Journal, and The New York Review of Books. He is a well-known author of long-form journalism, as shown by the influential works “Wild Grass: Three Portraits of Change in Modern China,” and “The Souls of China: The Return of Religion After Mao.”

Pastor Kühne will lead all attendees in a section-by-section reading of Proverbs 31:8 (“Open thy mouth for the dumb in the cause of all such as are appointed to destruction. / Open thy mouth, judge righteously, and plead the cause of the poor and needy.”) A film review of Liu Xiaobo’s life will also be screened, as well as the April 30, 2018, phone call recording with Liu Xia, in which she cried, for three minutes, in despair. The female singer Isabell, who bears a striking resemblance to a 1960s-era Joan Baez, will perform ‘Donna, Donna,’ closely accompanied by a choir of several hundred students from the Rhein-Maas-College (Rhein-Maas Berufskolleg). The performance will slowly lead into a joint chorus by the entire body of memorial participants, who will sing together to call for Liu Xia’s freedom.

We invite every recipient of this invitation to come and participate in this memorial — no matter where you are in the world, whatever your political views, or the color of your skin or content of your beliefs. Please, all keep in mind this pacifist and author of the statement ‘I Have No Enemies’ (《我沒有敵人》). Following the massacre of 1989, Liu Xiaobo was jailed four times and in the end died a caged prisoner. His wife, Liu Xia, has been held under long-term house arrest simply because of her love for him, and has been unable to leave the country and seek treatment for her severe clinical depression.

If you cannot join us, please spread this invitation and the song ‘Donna, Donna’, make your own appeals to governments, or pray.

 

Gethsemane Church, Berlin, Germany

Organizing Committee for the Memorial on the First Anniversary of Liu Xiaobo’s Passing

June 26, 2018

 

 

 


 

德國柏林 Gethsemane 教堂

2010年諾貝爾和平獎獲得者劉曉波遠行一周年追憶會

全球文告

 

2018年7月13日傍晚18點,在德國柏林 Gethsemane 教堂 (Stargarder Str. 77, 10437 Berlin) 將舉行2010年諾貝爾和平獎獲得者劉曉波遠行一周年追憶會。去年這一日,作為中國最著名的政治犯,他殆於嚴密監控中的遼寧瀋陽一家醫院,兩天之後,通過官方直播,全世界目睹了他的骨灰被沉入中國內海。

柏林Gethsemane 教堂與萊比錫 Nikolai 教堂齊名,是前東德兩大異議人士聚會場所,就在柏林牆倒塌前幾天,還嚴詞拒絕軍警搜捕,為上千名地下反抗者提供庇護,享有盛譽的 Rolf Reuter曾在這兒指揮演出貝多芬第九交响樂,并發表“拆除柏林墙”的演講,赢得陣陣歡呼,震撼全東德。1989年10月9日傍晚,Gethsemane 教堂的祈禱禮拜结束,反抗者們手持蠟燭走出來,在街頭聚集數萬民眾,成為共產黨政權垮臺的前奏。

我們認為在 Gethsemane 教堂這樣一個人權和民主的紀念聖地,舉行一個為人權和民主奮鬥至死的偉大人物的追憶祈禱,意蘊深遠。這是轉折關口的全球警鐘:柏林牆已倒塌29年,可在經濟騰飛的獨裁中國,禁錮十幾億人類的“柏林牆”依舊挺立,并蜿蜒擴張,上萬名天安門大屠殺死難者得不到撫卹,古拉格群島分布在数不清的角落,每天都有異議人士被捕。作為歷史和現實寫照,劉曉波倒下了,超越時間和時代,他也是一個東德人,一個為翻越和推倒“柏林牆”而中彈倒下的東德人。

這次追憶會組織者 Roland Kühne,是德國著名人權牧師,受“獄中諾貝爾和平獎得主”的事跡感召,2010至今,年年帶領數百名職業高校學生,到中國駐德國使館門前集會抗議,去年還進行了擡棺遊行示威。而另一名組織者廖天琪,是劉曉波著作中、德、英文的主要編輯和獨立中文筆會會長,也是Roland Kühne 的“長期戰友”。

追憶會由Roland Kühne 和廖天琪主持。開場 Wolf Biermann (沃爾夫 比爾曼), 82歲,柏林牆時代家喻戶曉的詩人和歌手,畢希納文學獎獲得者。1976年從東柏林“叛逃”,在科隆體育館舉辦萬人演唱會,一曲《長城內的中國》令東德共產黨震怒,登報開除了他的“國籍”。比爾曼也是從去年至今的營救劉曉波、劉霞行動的不懈參與者。此次他將演唱《给Jürgen Fuchs 的輓歌》。在劉曉波遠行當天,比爾曼想起1976年被秘密逮捕的Jürgen Fuchs, 他的好兄弟,被投進東德VEB人民监狱,整日被冒充醫生的特務們用伽瑪綫籠罩輻射,悄無聲息地種下病根, 最後死於血癌,成為此類放射受害者的典型案例。比爾曼認為劉曉波也是這樣一位屬於全人類的“在爭取自由之戰中孤陷重敵卻堅持抵抗”的勇士。

Herta Müller將朗讀自己從英文轉譯的劉霞詩作, 她是諾貝爾文學獎獲得者,也是諾貝爾和平獎獲得者劉曉波的主要推薦人之一。其文學作品《呼吸鞦韆》《低地》《我的祖國是一粒蘋果籽》都與共產黨獨裁下的個人經歷密切相關。Müller 女士長期關注中國政治犯和流亡者,也是從去年至今的營救劉曉波、劉霞行動的主要參與者。

流亡作家和樂手廖亦武,劉曉波和劉霞的多年故交,德國書業和平獎獲得者,此次將和德國年輕的小提琴演奏家Fabian Lukas Voigtschild (法比安)合作,演奏新創曲目《劉曉波的最後時刻》。这个曲目的靈感來自劉霞在2017年8月31日下午的一段講述:“他讓我一定要出去……最後他不說了,就用腿演示。腿不停的,好像在走路,不停的,一個多小時,兩條腿不停地走……不停的,不停的……”

美國普利策奬獲得者 Ian Johnson (張彥) 將受邀發表演講,Ian Johnson 長期駐北京,採訪過眾多異議人士,是《紐約時報》《華爾街日報》《紐約書評》的特約記者,也是這個時代出色的報道文學作家,代表作《野草-底層中國的緩慢革命》、《中國的靈魂-毛澤東時代後宗教的歸來》,影響極其深遠。

Roland Kühne 牧師將帶領大家,分段進行 Wachet nud Betet–Tu deinen Mund auf für die Stummen und für die Sache aller die verlassen sind (守望與祈禱—為那些被禁言者和被遺棄者發聲吧)。追憶會還將播出劉曉波生平影片,以及劉霞在2018年4月30日的電話錄音,當她對友人的絕望哭訴延續至三分多鐘時,一位酷似1960年代人權歌手 Joan Baez 的女孩 Isabell 將懷抱吉他領唱Donna Donna,由 Rhein-Maas Berufskolleg(萊茵-馬斯職業高校)幾百名學生組成的合唱團緊緊跟隨,逐漸擴散為追憶會全體參與者的合唱,以此為劉霞的自由呼籲。

我們邀請讀到這個《全球文告》的所有人參加這個追憶會,不管您身在何處,不管持有何種政治理念,不管是何種膚色和信仰,請記住這個公開宣稱“我沒有敵人”的和平主義者。1989年的天安門大屠殺之後,他四次入獄,最後死於囚籠。他的妻子劉霞僅僅因為愛情,也被長期軟禁,無法出國治療深度抑鬱症。

如果您因故不能參與,請傳播這個文告,請傳唱《Donna Donna》,請在任何時候,任何地方,呼籲或祈禱。

 

德國柏林Gethsemane教堂                       

劉曉波遠行一周年追憶會籌備小組 

2018626

 

 

 

 

‘Love Is a Serious Crime, a Life Sentence’ – Liu Xia Audio on May 25, 2018

A continued call on behalf of Liu Xia (China Change Exclusive)

Liao Yiwu, Chinese writer in exile, June 1, 2018

 

 

 

 

Dear friends, I am hereby once again publicizing a portion of a conversation with Liu Xia (劉霞), this time on May 25, 2018. The recording runs 21 minutes; I have excerpted the final 8 minutes. Liu Xia said: “Loving Liu Xiaobo is a crime, for which I’ve received a life sentence.”

This is enough to make one burn with rage. Since when did love become a crime? When Xi Jinping’s father was labeled an anti-CCP element and jailed by Mao Zedong during the Cultural Revolution, his mother didn’t abandon him, and nor did she get locked up for years like Liu Xia has.

In January 2014, by which point Liu Xia had been cut off from the world for more than three years, I was finally able to reach her from Germany by telephone at her home in Beijing. As soon as I spoke her name, she began to sob, and she went on sobbing for 20 minutes. I didn’t know what to say. She hung up. I called back, it was the same — she’d almost become speechless.

In the blink of an eye more years have elapsed — the torment of it impossible to put in a few words. In the end, it came to this: Xiaobo was murdered under the cover of ‘bail on medical grounds.’ The couple were able to see each other in the prison-like hospital ward for less than a month. Every day, there were people in and out the ward, over 100 times in all, ‘rescuing’ Xiaobo while sealing him off from the outside world.

Xiaobo desperately wanted Liu Xia to leave China, and even dreamt of accompanying her and Liu Hui, Liu Xia’s brother, to Germany in the little time left in his life. After he died, the Chinese police said to Liu Xia many times that as long as she cooperated with them, they’d let her leave the country to seek treatment.

Liu Xia handwritten note

Liu Xia’s handwritten note dated April 9, 2017, which Liao Yiwu published when Liu Xiaobo was hospitalized in late June, 2017, as a proof that Liu Xia and Liu Xiaobo had wished to leave China for treatment. Click to enlarge.

In April 2917, I went through a contact — one of the most famous poets and singers of the Berlin Wall era, Wolf Biermann, as well as his wife — to reach out to Chancellor Angela Merkel with a letter asking for help. I attached a handwritten note by Liu Xia, titled ‘Application for Exiting China Submitted to Relevant Departments’ (dated April 9, 2017).  My letter was met with a quick response, and a communication channel with the Chancellor was established. By now, the German and Chinese governments have been engaged in private negotiations for well over a year already. In early April this year, in response to numerous apparently optimistic signals, Liu Xia packed, and packed again, getting ready to travel — but her dreams dimmed and went dark. The Chinese official who had made promises to her had disappeared, and in despair Liu Xia declared that she would “use death to defy.

I told her not to do anything rash, and sensing that things were reaching a crisis point, I published for the first time an audio recording of part of our conversation, with the headline “‘Dona, Dona,’ Give Freedom to Liu Xia.” The purpose was to turn a low-key negotiation into a loud call for the attention of the international community.

On the eve of May 24, before Merkel went to China for visit, I received a call from German’s public broadcaster ZDF, where I made the earnest request that Chancellor Merkel bring Liu Xia out of China with her. I said that if this is impossible, she could at the very least express the wish to pay a visit to an ill Liu Xia, or have a medical expert attend to her. For Liu Xia, trapped in her home-prison, this may have been her best opportunity to be freed.

And yet none of this came to pass! Though, Merkel did meet with Li Wenzu, the wife of detained rights lawyer Wang Quanzhang, and other family members of 709 victims in the German embassy in Beijing, and emphasized that she wished to personally meet with Liu Xia. When Merkel and Chinese prime minister Li Keqiang held a joint press conference, Li announced that China respects humanitarian requests and was willing to engage in dialogue with Germany on ‘individual human rights cases’ — this was the highest official statement on the matter.

As for Liu Xia, several days before Merkel’s visit, police entered her apartment and commanded her to leave the city on ‘travel.’ Liu Xia staunchly refused, and the police didn’t force it. Instead, they tried to persuade her, again and again, and said that soon there would be someone coming to speak with her about leaving the country.

I’ve lost count of how many times this promise has been made. The police said that in July, after the first anniversary of Xiaobo’s death, she’d absolutely be allowed to leave China. I made clear my doubts, and advised Liu Xia to consider countermeasures beforehand in case they don’t let her go in July. Upon these words of mine, Liu Xia was terrified and sunk into a bout of despair.

The following is an excerpt of our telephone conversation on May 25, the last day of Merkel’s visit to China:

Liao Yiwu: When you kept saying ‘death death death’ last time, I felt like I’d been hit with a jolt of electricity.

Liu Xia: When I’m dead, I won’t be a bother to anyone.

LYW: How can you say that? How can you die like that? This is not an option.

LX: So just keep me company, staying with me quietly. When you all tell me to do this and do that, I won’t take anyone’s calls anymore… You imagine these things are easy to do – if I can live like a free person, why do I even want to leave China? Xiaobo wanted me to go abroad to be free….because he had seen that police followed me everywhere and the room was fitted out with all sorts of surveillance equipment and nothing is easy for me to do. I’ve got a lot of friends here too….sometimes I’m so squeezed that I’m left with no choice…

LYW: Yes, you told me to record it last time — I felt you were falling apart. At that time, I…

LX: It’s no problem. But don’t ask me, as you did later, to do this or to do that…

LYW: OK, OK, OK. Just wait for July and see what they say.

LX: Right.

LYW: I feel that you’ll be able to get out eventually… but, it’s such a fucking torment…

More sobbing. Endless sobbing. I could neither stop her nor comfort her. So I started playing the song ‘Too Much Love’ by Israeli singer Motty Steinmetz. I had played it for her many times; she liked it a lot. Steinmetz had learned traditional Jewish hymns from his grandfather since childhood, and his lyrics are drawn from the Hebrew Bible.

As the song played, Liu Xia wailed: “They’re going to keep me here to serve out Xiaobo’s sentence.”

I was flabbergasted. Last year when she finally returned home after Xiaobo’s death, she cast her gaze around a room full of books. The old ones he’d read; the new he’d never get to. She felt suffocated and reached out for her medication when she collapsed onto the floor. When she came to a few hours later, she found herself bruised all over.

As I considered all this, words from Jeremiah sprung from the depths of my mind:

“Thus saith the LORD;
I remember thee,
the kindness of thy youth,
the love of thine espousals,
when thou wentest after me in the wilderness,
in a land that was not sown.”

This seemed like the voice of Xiaobo from Heaven. Liu Xia continued: “I want to see just how much more cruel they can get and how much more shameless they’ll become; I want to see how much more depraved this world is.”

I responded: “All you have ever done is love, for all you’ve gone through.…”

She said: “They should add a line to the constitution: ‘Loving Liu Xiaobo is a serious crime, a life sentence.’”

I was too struck by these words of hers to continue. Liu Xia said: “I’m going to go take my medication.”

I bid her goodbye: “Be patient. Let’s wait until July.”

She ‘hmmmed’ and hung up. I sat still at my desk for a long while. The 29th anniversary of the Tiananmen massacre is approaching, and I decided to send out this message to the world, continuing to call for her to be freed.

Dear friends, whether you’re a foreigner or Chinese; whether you’re a political leader, a parliamentarian, a diplomat, or a regular citizen — friends of Xiaobo who are dissidents, poets, authors, academics, artists, sinologists, journalists, actors, lawyers, and public intellectuals — if you’re in Beijing, please take a moment of your time to go and visit Liu Xia. If you’re concerned to go by yourself, bring a few like-minded friends along. If they don’t let you see her, please read a poem outside her apartment building, or call out to her. If her minders stop you, give them a flier with her poem on it.

If you’re not in Beijing, or not willing to do the above, at least forward around the recording. Have more people — including U.S. President Donald Trump, French President Emmanuel Macron, British Prime Minister Theresa May, and the Nobel Committee in Norway — understand what the wife of 2010 Nobel Peace Prize Laureate Liu Xiaobo has been going through for all these years.

 

June 1, 2018

 

Related:

China Change Exclusive: Liu Xia Cries Out for Help in a Phone Call With Liao Yiwu on April 8, 2018, Liao Yiwu, May 2, 2018.

 

 


愛就是重罪

— 繼續爲劉霞呼籲

流亡作家 廖亦武

 

 

 

 

親愛的朋友,這裡我再次公開與劉霞在2018年5月25日上午的一段談話錄音,長度爲21分鐘,我截取了最後的8分多鐘。劉霞說:“愛劉曉波就是重罪,就是無期徒刑。”令人五內俱焚。愛就是重罪嗎?當習近平的父親文革中被毛澤東以“反黨罪”投入監獄,他的母親并沒離開,他的母親也沒像劉霞這樣被囚禁多年。

2014年1月,劉霞與世隔絕三年餘,終於在北京家中接到我從德國打過去的電話。我叫了聲劉霞,她就哽咽起來,持續了20多分鐘,我不知該說什麽,最後她挂掉電話。我再撥過去,還是這樣,她幾乎失語了。

一晃又多年,其中的煎熬一言難盡。總之,最後,曉波被謀殺——以保外就醫的名義,他倆在類似囚籠的病房朝夕相處了不足一月。每天有100多人次進進出出,對曉波實施密不透風的所謂“搶救”。

曉波讓劉霞一定要出去,甚至夢想在人生最後時刻送她和劉輝到德國。他走後,警察也若乾次許願,只要配合他們,就會放她出國治病。

Liu Xia handwritten note

Liu Xia’s handwritten note dated April 9, 2017, which Liao Yiwu published when Liu Xiaobo was hospitalized in late June, 2017, as a proof that Liu Xia and Liu Xiaobo had wished to leave China for treatment. Click to enlarge.

去年4月,我通過柏林牆時代最著名的詩人兼歌手沃爾夫.比爾曼夫婦,轉交給默克爾總理第一封求援信,附錄了劉霞手寫的“給有關部門的出國申請”,得到及時回應,并借此建立了信息渠道。如此算來,德中政府間不公開的交涉,已長達一年餘。直至今年4月初,根據種種貌似樂觀的跡象,劉霞一次次整理行裝,卻不料夢想破滅,曾對她許願的人也躲著不見,絕境中的她突發“以死抗爭”的衝動。

我勸她再等等,高危關頭,我不得不以《DonaDona,把自由給劉霞》為題,首次公開與她的談話錄音,從低調運作轉為高調呼籲,在國際社會引起廣泛關注。默克爾總理5月24日訪華前夕,我接受了德國電視二台的訪問,懇請默克爾總理將劉霞帶出來,如果不成,至少可提出探病,或者讓醫療專家去會診——對於困獸似的劉霞,這或許是迄今為止最大的獲救良機。

然而什麽都沒發生!儘管默克爾在德國駐京使館接見了李文足等多名709系獄律師家屬,並強調她想親自與劉霞接觸;儘管在兩國政府總理共同舉行的新聞發佈會上,李克強宣稱中方尊重人道主義,願意就“人權個案”與德方對話——這算最高級別的官方表態。而在劉霞那邊,警察提前數日登門,吩咐她去外地旅遊以迴避默克爾,劉霞堅決不走,警察也沒勉強,只是頻頻規勸,并告知不久有人會與她談出國。

記不清這是第幾次許願。警察說7月份,曉波周年忌日過後,肯定放她走。我表示懷疑。我說萬一7月份還是不放呢,不如先尋思應對之策。劉霞聞之驚恐,繼而抑鬱爆發。下面的對話根據5月25日,也就是默克爾訪華最後一天,我們的電話錄音整理:

廖:你上次說死死死,我像觸電一樣。

劉霞:我死了就不麻煩任何人嘛。

廖:哪能這樣?哪能輕易就去死啊,這個,使不得啊。

劉霞:所以陪著我,就安靜地陪著我;讓我幹這幹那的,我就誰的電話也不接了……你想一切都那麽容易[的話],我能像個自由人一樣活著,我會一定要出去嗎?對不對?曉波要不是看著每天都是警察跟著,一屋子監控器什麽的,所有東西都不那麼…他能讓我出去找自由嗎?我在這邊也有好些朋友,有時候,把人逼得沒得選了……

廖:是啊,上次你讓我把它錄下來,我覺得你已經崩潰了,我當時……

劉霞:那是沒問題。但是你後面就不要說:你要這樣,你要那樣……

廖:好好好…就等到7月份,看他們怎麼說。

劉霞:對。

廖:我感覺你還是能夠出來…不過,他媽的夠磨人……

又是沒完沒了的哀泣,無法打斷,更無法安慰。於是我放以色列歌手Motty Steinmetz領唱的《太多愛》。我曾經放過多次,劉霞非常喜歡。Motty Steinmetz從小跟祖父學習猶太傳統聖歌,她的歌詞均出自希伯來語聖經。劉霞在歌聲中哭訴:“他們要讓我在這兒,把曉波的刑期繼續服完。”

我張口結舌。想起去年曉波走,她回到家,望著滿屋子的書,舊的曉波都看過,新的卻來不及看了。她感覺窒息,剛要抓藥片,就栽倒在地。幾個鐘頭之後醒轉,渾身是傷。

我腦海深處湧現出一段同樣出自希伯來語的《雅歌》:

神這樣說:
你年輕時的恩愛,
新婚時的愛情,
你怎樣在曠野,
在未曾耕種之地跟隨我,
我都記得

這也是已在天上的曉波的心聲吧。劉霞接著說:“我要看看他們還能殘忍到什麼程度,無恥到什麼程度,看看這個世界,還能夠墮落到什麼程度……”

我說:“你這僅僅,也不為其它,僅僅是因為愛情,就經歷了這些……”

她說:“那憲法上應該再寫一條:愛劉曉波就是重罪,就是無期徒刑。”

我聞之膽寒。就不敢再接茬了。劉霞說:“我先去吃個藥。”

我只好告別:“再耐心一點,等到7月份。”

她嗯嗯著掛了電話,我卻在桌邊久久枯坐,并決定在天安門大屠殺29周年前夕,繼續爲她的自由呼籲。

親愛的朋友,無論你是西方人還是中國人,無論你是政要、議員、外交官還是普通公民——我也知道在曉波故交中,除了大批異見者,還有不少中外詩人、作家、學者、藝術家、漢學家、記者、演員、律師和公知——如果你在北京,請抽空去探望她;如果一個人害怕,請邀約一些志同道合者;如果他們不讓見,請在她樓下讀詩或喊話;如果他們阻止,請將詩傳單送給他們。

當然,如果你不在北京,或不太願意,至少可以傳播她的錄音,讓更多人——包括美國總統特朗普、法國總統馬克龍、英國首相梅姨及挪威的評委們——瞭解2010年諾貝爾和平獎得主劉曉波妻子這些年的遭遇。

 

2018年6月1日

 

 

相關閱讀:

《DonaDona,把自由給劉霞》, 廖亦武, 2018年5月2日。

 

 

 

 

China Change Exclusive: Liu Xia Cries Out for Help in a Phone Call With Liao Yiwu on April 8, 2018

May 2, 2018

The following is an essay by Liu Xia’s longtime friend Liao Yiwu (廖亦武) explaining the circumstances of the phone call and providing an excerpt of the call for the first time. — The Editors

 

 

‘Dona, Dona,’ Give Freedom to Liu Xia

Liao Yiwu, Chinese writer in exile

 

On April 30, 2018, at 4:00 p.m. in Germany, I spoke to Liu Xia at her home in Beijing. She said: “Now, I’ve got nothing to be afraid of. If I can’t leave, I’ll die in my home. Xiaobo is gone, and there’s nothing in the world for me now. It’s easier to die than live. Using death to defy could not be any simpler for me.”

I felt like I’d just been shocked with a jolt of electricity. I told her to wait. I know that the Chinese Ministry of State Security agents that have been holding her under house arrest, since Xiaobo passed away last July and Liu Xia was forcibly taken to Dali in Yunnan for a while, have been promising her, again and again, guaranteeing that she’d be able to leave the country and seek treatment for her deep clinical depression. First they told her to wait until the 19th Party Congress was over; next they told her to wait until the conclusion of the ‘Two Sessions’ in Beijing in March of this year. On April 1, before Liu Xia’s 57th birthday, the German Ambassador called her to convey Chancellor Merkel’s special respects, and invited her to play badminton in Berlin before long.

According to my information, in early April the German Foreign Minister had already made specific arrangements, including as to how they’d not alert the news media, how they’d covertly collect Liu Xia at the airport, and how they’d arrange her treatment and recovery and more. In my own calls with Liu Xia, I sought Liu Xia’s opinions many times, and discussed the matter in meetings and correspondence with good friends Herta Muller, Harry Merkle, Carolin, Silvia, and the international representative of Liu Xia’s photographic art Peter Sillem. We went over every possible detail. Due to Herta Muller’s support, the Literature House in Berlin was willing to provide her an apartment for an interim period. Carolin said she would host a poetry reading for her, while Silvia were going to help her enter a residency program. Peter Sillem had already reached out to hospitals and experts on her behalf.

We’ve all been patiently and quietly waiting.

We’ve all quietly awaited this special patient.

Liu Xia has no criminal record, and according to the Chinese foreign ministry spokesperson, she has the freedom to travel wherever she wishes.

We’ve been low key about it because after Xiaobo’s death, Liu Xia has been devastated, and the clinical depression she had suffered for years came back worse than ever, driving her to the brink of mental collapse. As long as she is in China, we have no way of looking after her. When Liu Xia told Xiaobo that a special rescue squad in Germany (including the 82-year-old Wolf Biermann and wife) were working to help them, Xiaobo, dying, was moved to tears.

In my April 30 conversation with Liu Xia, I said I’d no long keep it quiet. I will take action, and I will selectively reveal some truth that I have been holding back. I said to her that I would publicize her cries, which was uncontrollable even with her taking large doses of antidepressants, in the evening of April 8, 2018. She said yes.

The following statements were transcribed from audio recordings of our conversation that evening. In the first instance, I called and poured out my concern: I feared that Liu Xia would once again be ‘disappeared.’ I worried that the Chinese government would do the same as they did last year when they announced that Xiaobo and Liu Xia didn’t want to leave the country. Luckily I had her handwriting attesting to the opposite, and remarkably this became the strongest evidence that punctured the lies.

I insisted on Liu Xia writing another application to leave the country, and at first Liu Xia demurred again and again. She then panicked, after that threw the phone down. I waited a little while and called her back, and she cried out in tears:

“The German Embassy knows all about my situation. The whole world knows. So what’s the point of me writing those things again and again?”

“But what you’re facing is very special… the German government has been in discussions about this all along…”

“I don’t have anywhere to send it from. Nor do I have a cell phone nor a computer.”

“OK. That’s OK.”

“You know we don’t have all that stuff, but you still want me to do this and do that…”

“Over here, we…”

“So I’ll write it tomorrow and hand it in tomorrow. You can record it now: I’m so fucking angry that I’m ready to die here…. If I’m dead, it’ll all be done with…. It’s obvious that I don’t have all the ways and means in hand….”

“That foreign ministry spokesperson said that you fully enjoy all the provisions of Chinese law…”

“I know all that. You don’t have to repeat it. I’m not an idiot.”

“OK. Let me tell you about the arrangements: after we get you over here, we’ve got a place called the Literature House where you stay for a while and then apply to join an arts program. At the moment, the responses everywhere are very positive, and everyone agrees that this should be done very quietly….”

I couldn’t go on, because Liu Xia was crying non-stop. The audio recording went for 16 minutes and 30 seconds. I excerpted the first seven minutes, and at about the four minute mark played over it the piano solo “Dona, Dona.”  I felt waves of emotion well up inside me. When I turned the music off, I yelled out “Liu Xia!” Her crying abated and she said: “After the German Ambassador called, I started packing. I wasted no time — what more do you want me to do?”

“Dona, Dona” is a Jewish melody from the WWII period popularized by the Jewish-American writer Aaron Zeitlin in the Yiddish play Esterke.

The general meaning of the lyrics is: a calf is being brought to the butchers, a swallow is flitting around above its head. The calf thinks to itself: If only I could turn into a swallow with wings and fly away, how grand it would be. Unfortunately, the calf is not a swallow.

Like her husband Liu Xiaobo, Liu Xia had a passion for works related to Holocaust. Liu Xia even said that she felt she’d been a Jewish person in her previous life.

Dona, Dona became a byword for genocide: the millions of Jewish people were the calf after calf, resigned to their fate, being led to the slaughter. Please, people, with Liu Xia, it’s Dona, Dona now, and please allow me to use Liu Xia’s sobbing as its new lyrics……

Dona, Dona, give her freedom.

Dona, Dona, please cry out loudly for her.

 

Composed in the late Berlin night on April 30, 2018.

 

 


DonaDona》,把自由給劉霞

流亡作家  廖亦武

 

今天是2018年4月30日,德國時間下午4點,我致電在中國北京家中的劉霞,她說:“現在沒什麽可怕的了,走不掉就死在家裡。曉波已走了,這個世界再沒什麽可留戀,死比活容易,以死抗爭對於我,最簡單不過。”

我如遭電擊,我說再等等。我知道,長期監管她的國保警察們,自去年7月曉波剛走,劉霞被強制挾持到雲南大理期間,就開始許願,一而再,再而三地許願——保證讓她出國治療深度抑鬱症。先是吩咐等到中共十九大召開之後,接下來是吩咐等到今年3月的人大、政協兩會閉幕之後。在4月1日她57嵗生日前,德國大使還致電給她,轉達了默克爾總理的特別問候,并相約不久後在柏林打羽毛球。據我所知,4月上旬,德國外交部已經作了具體安排,包括如何不驚動新聞界,如何將她從機場接到某一隱蔽地點,安排治病和調養等等。而我自己在通話中,也多次徵求劉霞意見,又多次與好友赫塔▪米勒(Herta.Müller)、哈瑞▪麥克(Harry Merkle)、卡羅琳(Carolin)、西爾維亞(Silvia),以及劉霞藝術攝影的全球代理人彼得▪西冷(Peter Sillem)聚會和通信,事無鉅細地溝通。由於赫塔的張羅,柏林文學之家願意為她提供過渡期公寓,之後,卡羅琳答應為她舉辦一場詩歌朗誦讀會,西爾維亞答應替她聯繫一個在歐洲的入住計劃,而彼得已替她聯絡好相關醫院和專家。

我們都在低調等待。

低調等待一個特殊的病人。按照中國法律,她沒有任何犯罪記錄,中共外交部新聞發言人也宣稱,她依法享有去任何地方的自由。

我們低調是因為曉波走了,她深受刺激,多年的抑鬱症再度加重,使之瀕臨崩潰,而她在國內,我們沒法照顧她。劉霞曾告訴垂危的曉波,他倆在德國有我們這個特別救援小組 (其中還包括82嵗的沃爾夫▪比爾曼 Wolf Biermann 夫婦),曉波的淚水奪眶而出。

在今天的通話中,我說我不會再低調。我要採取行動,選擇性說出一些隱忍的真相。我會將2018年4月8日晚間,她在大劑量藥物也無法控制的抑鬱的哭喊,和《DonaDona》一塊,公諸於世。她說好的。

下面的文字根據錄音整理。開始,我打通電話後,向劉霞吐露我的擔憂,我怕她再次“失蹤”,像去年那樣,而中國官方還乘機宣稱,是曉波和她不願出國。幸好當時我手裡保存有她的手跡,後來居然成了揭穿謊言的唯一憑證。我堅持讓劉霞再寫一份出國申請,劉霞先說不會的不會的,繼而恐慌,繼而摔了電話。過一會兒我再次打過去,她就哭喊道:

我的情況德國使館都知道,全世界都知道,還要我一遍一遍弄那些東西幹什麼?

但是你面對的也特別啊……德國政府是一直在談……

我沒地方傳遞,又沒手機,又沒電腦。

那好吧,好吧。

知道我沒這些,他媽的還老是要來要去……

我們這邊……

那我明天就寫,明天就交上去——你現在就錄音下來——我他媽惹急了就死在這兒……死了拉倒……明明知道我不具備所有的途徑和條件……

那個外交部發言人是這麽說的:你完全享有中國法律所賦予的……

這些我都知道,你不用重複,我又不是腦殘。

嗯,我給你說一下:我們把你接過來後,會找一個地方,叫“文學之家”,讓你有個過渡,然後申請進入一個藝術家計劃。目前看來,各方面反應積極,大家達成了共識,這是一個非常低調的事……

我說不下去了,因為她無休無止地哭。這次錄音約16分30秒,我截取了前面7分鐘。在約4分鐘時,我開始放《DonaDona》的鋼琴獨奏。內心陣陣波濤洶湧。在關掉音樂時,我叫:“劉霞!”她的哭聲降下來,她說:“德國大使打電話後,我就開始收拾東西,我一點也沒耽誤,還要我怎麽樣……”

《DonaDona》是二次世界大戰時的猶太歌曲,相傳為美籍猶太作家澤德霖(Aaron Zeitlin)為意第緒語劇曲《Esterke》而作。歌詞大意是:有頭牛犢被帶往屠宰場,有隻燕子在它頭上飛翔,牛犢心想,如果變成燕子插翅飛逃該多好啊。可惜牛犢不是燕子。

劉霞和劉曉波一樣,都酷愛與奧斯威辛大屠殺相關的作品。劉霞甚至說,她的前世或許是猶太人。

《DonaDona》,種族滅絕的代名詞:幾百萬猶太人曾像一批批牛犢,聽天由命,被帶往屠宰場。人們啊,請聽聽這首歌的現在進行版,請允許我以劉霞的哭泣為它重新填詞……

《DonaDona》,把自由給她。

《DonaDona》,請為她高聲呼籲。

 

 

2018年4月30日深夜於柏林

 

 

 

 

Tamer of Beasts, Tamer of Despots

By Liao Yiwu, translated by Cindy Carter, published: May 24, 2015

 

My friend Chen Yunfei (陈云飞) has never been of a serious disposition; his mode of dress is, if anything, even less serious. One year on June 4th, the anniversary of the Tiananmen Square massacre, he was clad from the waist up in a suit and tie, and from the waist down in a pair of short trousers that made it look from afar as if he weren’t wearing any trousers at all. On that anniversary, he climbed into a blood donation truck parked in the city center, announced that he wished to donate blood, and offered up his neck. The nurse avoided the proffered neck and took his arm instead. As she inserted the syringe into his arm, Chen Yunfei said, “Today’s June 4th, the anniversary of the Tiananmen Square massacre. Did you know that?” Startled, the nurse missed the mark. “You must be possessed by vengeful ghosts,” Chen Yunfei joked. “You ought to call the police and tell them one of the ‘June 4th hooligans’ is at a blood donation site, disturbing the peace!” The nurse burst into tears. Young and inexperienced as she was, she really did call the police.

Chen Yunfei has described himself as a beast tamer, and the beast in question is the Chinese police force, a creature known to be more ruthless and more brutal than any beast on earth. As a result, Chen Yunfei has endured numerous beatings. He jokes that without a good beating, he finds it hard to sleep at night. The bruises covering his body, he said, would keep the memory of that “mining accident” alive: in 2007, on the anniversary of June 4th, he took advantage of the ignorance of the advertising staff at the Chengdu Evening News to place a small advertisement in that paper. It read simply, “We salute the staunch mothers of the June 4th victims!”[i] At a mere 14 character spaces, including exclamation point, and a cost of 45 yuan [less than $6 USD], it nonetheless caused great consternation in the ranks of the Chinese police force, not to mention the Central Committee of the Chinese Communist Party.

We met up for drinks, sometimes after Chen Yunfei had been interrogated and beaten. His lip was swollen, his face hideously crumpled, but as we drank together, I found it hard to express my sympathy. With anyone else – the families of the victims of June 4th, for instance – I could have risen to the occasion, acquitted myself as a man of letters by coming up with a few comforting words, a few fitting phrases. But no matter how tragic his situation, no matter how deep his psychological scars, those wounds that would never heal, when I looked at Chen Yunfei with his rakish ear-to-ear grin, my only response was mockery.

This time around, Chen Yunfei was arrested for travelling to Xinjin County on the outskirts of Chengdu, Sichuan Province, to pay his respects at the grave of Wu Guofeng, a June 4th victim. On May 19, 2005, I interviewed Wu Guofeng’s parents: the interview was later included in my book Bullets and Opium.[ii] A young man just shy of twenty-one years of age, Wu Guofeng was an avid amateur photographer and university student who had received the top university entrance exam score in his hometown of Xinjin. In the early hours of June 4th, 1989, as he ventured onto the streets with his camera “to document history,” he was shot by troops patrolling a city under martial law—not shot dead, no, but kicked to the ground and stabbed to death with a bayonet. Seconds before he died, Wu Guofeng gripped the bayonet’s blade with both hands, his eyes staring wide as his executioner gave a mighty roar, plunged the bayonet deeper into his victim’s belly, and thrust upward, leaving a broad gash.

Chen Yunfei had read that story. For some time, he had intended to lay flowers at Wu Guofeng’s grave, and perhaps shed a few tears. He also wanted to call on Wu Guofeng’s parents, who suffer from ill health (his mother is prone to migraines, and his father recently had a kidney removed) and remain heartbroken at the loss of their beloved son. He said he wanted to visit them at home “to see whether the two old folks would accept this ‘beast tamer’ as a godson.” This March, a few months before the twenty-sixth anniversary of the Tiananmen Square massacre, Chen Yunfei finally made the trip[iii]. The night before a planned commemoration, he found himself surrounded by over one hundred police officers. The charges against him: “incitement to subvert state power” and “picking quarrels and provoking trouble.”

“I always knew this day would come for him, but now that it has, I still feel scared for him,” I wrote in response to my friend Luo Xiaoxiao’s Facebook post. “Words fail me. Fuck…the times we live in.”

The Communist Party’s bestial nature has resurfaced, time and again. One after another, so many kind-hearted, conscientious, courageous and idealistic individuals – well-known names such Li Bifeng, Liu Xianbin, Chen Wei, Chen Xi, Xu Zhiyong, Pu Zhiqiang, Guo Yushan, Gao Yu and many others, nearly one hundred in all – have been thrown into despot’s cage at the bidding of “Xi Dada”, whose animal lusts eclipse his basic human instincts.[iv] Now that you have been elevated to their ranks, Chen Yunfei – the beast tamer, thrown into the beast’s cage – will you be immune to the depredations I described in my book? Do you think those bestial police will hesitate to fuck you in the ass with their electric cattle prods?[v]

Gabriel García Márquez, who passed away recently, has been lionized by many a state-sanctioned Chinese writer. One of his anecdotes could serve as a metaphor for the situation Chen Yunfei finds himself in today: A certain dictator captured a rebel. Knowing that the rebel was a lion tamer by profession, the dictator obtained a male lion from the circus, locked it in a cage, and starved it for three days. When the lion was sufficiently mad with hunger, the dictator locked the rebel in a cage adjacent to the lion. Time and again, the lion hurled himself against the metal bars of his cage, trying to get at the captured rebel, who was forced to cower in the far corner of his separate cage, mere inches away from the hungry lion’s outstretched claws.

I fear for you, Chen Yunfei, but there is nothing else I can do. Please forgive my cowardice.

—May 8, 2015

 

廖亦武 (2)Liao Yiwu (廖亦武), author of The Corpse Walker: Real Life Stories: China from the Bottom Up (2002); God Is Red (2011); For a Song and a Hundred Songs (2013); and more books of Chinese life.

 

 

 

 

 

———–

[i] When Chen Yunfei placed the ad, young staffers at the newspaper’s advertising department, unaware of the events in Tiananmen Square in 1989, asked what June 4th referred to. Chen Yunfei answered that it was simply the anniversary of a bad “mining accident” in which many people died. – The Translator

[ii] Liao Yiwu’s book of interviews and recollections about the June 4th, 1989 Tiananmen Square massacre was published simultaneously in Taiwan and Germany in October of 2012. The Chinese title is《子彈鴉片—天安門大屠殺生死故事》; the German title is Die Kugel und das Opium. – The Translator

[iii] Chen Yunfei has made this trip every year for many years. – The Editor.

[iv] The nickname “Xi Dada” refers to current Chinese President Xi Jinping. The jailed activists referred to are as follows:

Li Bifeng (b. 1964): Poet and activist. In Nov 2012, sentenced to 12 years in prison on charges of “contract fraud,” in retaliation for, as the government believed, helping his friend Liao Yiwu flee to Germany. – The Translator

Liu Xianbin (b. 1968): Writer and activist. In March 2010, sentenced to 10 years on charges of “inciting subversion of state power” in retaliation for human rights articles he published on the Internet and in international media.

Chen Wei (b. 1969): Writer and activist. In Dec 2011, sentenced to 9 years in prison on charges of “inciting subversion of state power” in retaliation for four essays he wrote and published online.

Chen Xi (b. 1954): Veteran human rights activist. In Dec. 2011, sentenced to 10 years in prison on charges of “inciting subversion of state power,” in retaliation for dozens of essays he published on overseas Chinese websites.

Xu Zhiyong (b. 1973): Prominent civil rights advocate. In Jan. 2014, sentenced to 4 years in prison for “gathering crowds to disrupt public order,” in retaliation for his past activism.

Pu Zhiqiang (b. 1965): Prominent civil rights lawyer. Held without trial since May 2014. He was recently indicted for “inciting ethnic hatred” and “picking quarrels and provoking trouble.”

Guo Yushan (b. 1977): Scholar and head of Beijing-based independent think tank Transition Institute. Held without trial since October of 2014 on charges of “picking quarrels and provoking trouble,” in retaliation for his past activism and his role in helping civil rights lawyer Chen Guangcheng escape from house arrest and flee to the U.S. Guo Yushan’s defense lawyer has also been detained.

Gao Yu (b.1944): Veteran journalist. In April 2015, sentenced to 7 years in prison on charges of “leaking state secrets,” in retaliation for her hard-hitting reportage. – The Translator

[v] Liao Yiwu has described the cattle prod torture and other mistreatment during his incarceration in his 2013 memoir For a Song and a Hundred Songs: A Poet’s Journey through a Chinese Prison. – The Translator

 

Chinese original 廖亦武《独裁下的驯兽师》

 

 

Chinese Author, Artist, and Dissident Streaking in Stockholm, Sweden

Our Naked Declaration

December 10, 2013

Liao Yiwu and four others streaking in front of the Stockholm Concert Hall around 4:30 pm, local time, December 10, 2013, to call attention to the imprisonment of Nobel Peace Prize winner Liu Xiaobo and the plight of his wife Liu Xia, who has been under house arrest for four years, and Liu Xia's brother who has been sentenced to 11 years in jail on trumped up charges.

Liao Yiwu and four others streaking in front of the Stockholm Concert Hall around 4:30 pm, local time, December 10, 2013, to call attention to the imprisonment of Nobel Peace Prize winner Liu Xiaobo and the plight of his wife Liu Xia, who has been under house arrest for four years, and Liu Xia’s brother who has been sentenced to 11 years in jail on trumped up charges. http://www.lindskogforlag.se/nakenprotest.php

 

We have come to Sweden to run in the nude, because it was here where Mo Yan, a defender of censorship and a senior Communist cadre, was awarded the Nobel Prize in Literature last year.

With our act, we want to remind this forgetful world that there is a staunch denouncer of censorship, a witness of the Tian’anmen Massacre in 1989, a winner of the Nobel Peace Prize, who was sentenced to eleven years in prison for his writings and views, and he is now behind bars in China. His name is Liu Xiaobo.

With our act, we want to remind this forgetful world an outstanding artist named Liu Xia. She has no particular interest in politics, but just because she is the wife of Liu Xiaobo, she has been placed under house arrest since her husband was awarded the Nobel Peace Prize in October, 2010.

With our act, we want to remind this forgetful world that, in Beijing, the capital of China, there is an ordinary resident named Liu Hui, a man who is not politically inclined. But because he is the brother of Liu Xiaobo’s wife and he revealed bits of family information to the rest of the world, the Chinese authorities trumped up “financial charges” against him and sentenced him also to eleven years in prison.

With our act, we want to remind this forgetful world that the persecution against Liu Xiaobo and his family is still ongoing and has never relented, and Liu Xia is on the verge of a mental collapse. According to Chinese law, she should not be a prisoner just because her husband is a prisoner. She has to breathe free air to heal her trauma.

We have come here to run in the nude, because while such horrible persecution-by-association has been carried out, the Chinese Communist Party has mobilized its propaganda apparatus, now draped in the award from the Swedish Academy, to challenge the universal values of the human race as never before. Since the winter of 2012, well over a hundred Chinese citizens have become the newest prisoners of conscience and been locked up in jails across China, and 122 Tibetans have self-immolated in one last protest against the Chinese suppression.

In a world all too surreal, Liu Xia cried out, “Both Mo Yan and Liu Xiaobo are Nobel Laureates, why are they treated so differently?”

Liao Yiwu (廖亦武), author, former political prisoner;

Bei Ling (贝岭), poet, former editor of an underground magazine, deported from China in 2000;

Wang Yiliang (王一梁), author, former literary criminal;

Meng Huang (孟煌), artist, who mailed an empty chair to Liu Xiaobo in prison, and doesn’t know the whereabouts of the chair. In 2012 he again mailed an empty chair, this time to the Swedish Academy, hoping that Mo Yan would take the chair back to Liu Xiaobo. He didn’t get his wish;

Wang Juntao (王军涛), scholar, former political prisoner.

Related reading:

The Passing of Havel, the Passing of Me — speech on the opening ceremony of Book World Prague, by  Liao Yiwu

 

(Translation by ChinaChange.org)

 

God is Red – Book review

Liao Yiwu’s book, God Is Red, is one of the best I have ever read.

Liao Yiwu’s work concerning Tian’anmen Square cost him 4-years in prison. His work with the currently imprisoned Nobel prize winner, Liu Xiaobo, caused further restrictions on his freedom in China and led to regular visits from the police. He was told that the publishing of God is Red would be considered a criminal offense. On July 2nd, 2011, he crossed the border into Vietnam, knowing that he would have to sacrifice his connection with his homeland in order to tell the stories of the people who lived there.

It started a few years earlier while Liao was working on other projects. He met a number of Chinese Christians and became interested in their various histories. Even though he was not a Christian himself, Liao became intrigued by the parallels he saw between the past repression of religious peoples in the 60’s and the ongoing human rights abuses in the present.Through his contacts he met believers in rural Yunnan, Beijing, and Chengdu, and the resulting book exposes past abuses and uncovers incredible stories of faith, strength, and integrity.

Liao’s style is somewhat unique; he interviews 18 Chinese Christians, and then adds his own short introduction of the person and tacks on follow-up information. This approach allows him to give a voice to those who may otherwise not be heard, and helps coax stories from those who would otherwise remain silent (Liao used the same method in his highly praised book, The Corpse Walker).

The majority of this book focuses on the question “How did Christianity (and Christians) survive the Cultural Revolution?” Many of the interviewees knew other believers who were executed by blood thirsty mobs and government officials trying to fill execution quotas. They endured harsh physical labor and public scorn for a God they had only recently come to know. Whether or not you are religious, I think it would be hard not to admire the integrity of these early Christians. I found inspiration every time I opened this book.

The story of the Blind Musician in Chengdu was one that stuck out in particular to me. As a child, this individual slowly lost his sight and the Chinese doctors were unable to diagnose the problem. His parents and grandparents became convinced that it was simply his destiny, but a missionary doctor prescribed the child a medicine that started to restore his sight. Unfortunately for the boy, the Communists had just ordered the foreigners to leave the country, and the boy’s sight faded once again to complete darkness. His vision was never restored, but he never forgot the healing the missionary had brought.

One of the minor stories that appears throughout the book that I think is important to highlight, is that many of the mission cemeteries were destroyed during the Cultural Revolution. From other sources, I know that the large mission cemetery in Nanjing was also desecrated during this time (one of the hospital’s founders was buried there). It is painful and embarrassing for the local gov’t to tell foreign families, whose relatives sacrificed much of their lives for the poor of China, that we do not know what happened to the remains of their loved ones.  Sadly, the gov’t continues to allow these resting places to be plundered and destroyed, but foreign churches are struggling to protect these memories.

The only thing I would have liked to have seen in this book would be accounts from members of the churches that joined the Three-Self Patriotic Movement. As it stands, the book gives the impression that the groups that didn’t join suffered disproportionately compared to other Christians in China, or that those who joined did it out of cowardice and fear. I know from Chinese friends, that all Christians shared in misfortune during the Cultural Revolution. To the Red Guard it didn’t matter which church you went to, you believed in something mightier than Chairman Mao.

I highly recommend God Is Red ($12.99 Kindle, $16.25 hardcover) not only for those interested in the continuing story of Christianity in China, but also for those interested in learning, from a variety of sources, more about one of modern China’s darkest periods. (I’ve also given this book as a gift, and urged friends and visitors to read this prior to visiting me).