Home » press freedom
Category Archives: press freedom
December 15, 2016
Yaxue Cao spoke with Chang Ping in Toronto on December 2, 2016.
YC: You used to be the director of the news department of the famed Southern Weekly and a columnist there, and you belong to a community of journalists who distinguished themselves in the 25 years of “market-oriented” media that coincided with the period of soaring economic development from early 1990s until recently. I’ve been wanting to hear your story, because I sensed that your trajectory as a journalist has also been the trajectory of China’s “market-oriented media.” So I’m very happy to see you. First of all, congratulations on receiving the CJFE International Press Freedom Award. They made a great choice.
Chang Ping: Thank you.
YC: I knew you were a 1989er, but I only learned yesterday, from watching the CJFE video, that you were detained for a month after the June 4th Massacre. Tell us a bit about your experience in 1989. Where were you?
Chang Ping: I was a sophomore at Sichuan University, majoring in Chinese Literature. In Chengdu, as in Beijing, college students took to the streets to protest, staged hunger strikes in the public square downtown, and held dialogues with the provincial government. I was involved in organizing some of these activities. After the crackdown, I was detained for a month and severely disciplined.
YC: How did you become a journalist?
Chang Ping: I wanted to be a novelist, and never thought much about journalism. I didn’t have a job after the June 4th protest, nor did I care for a career in the system. I stumbled on my first media job by accident: in Chengdu, a boss and I, just two of us, started a business intelligence magazine. That was 1991, the year before Deng Xiaoping’s Southern Tour. With scissors and glue, I cut out what I thought was useful business information and arranged it in categories such as policy, law, overseas information, etc. Back then it was still hot metal typesetting, and I had to go to the factory to set the characters with workers. In Chengdu region, small and medium businesses really needed that kind of information. Very soon we had a lot of subscribers. I had first-hand knowledge that, before Deng’s Southern Tour, the commercial impetus at the bottom half of society was already bubbling up. So for me, it wasn’t a surprise at all when, in 1992, the economy kickstarted after Deng’s tour. I also edited a book with the title “The Swelling Commercial Tides.”
After a while I quit the magazine and wrote short stories that were published in a journal called Young Writers. Some were recommended to the then-famous literary magazine Harvest. An editor asked me to revise my story, but I was so proud back then that I told him I wouldn’t change a word. At the same time I also compiled historical storybooks for young readers.
After 1992, the government began to push for market reforms. Some government-owned publications were outsourced. I leased a paper called Market Herald (《市场导报》), I was the deputy editor-in-chief, but the de facto editor-in-chief. But I loved reporting on everyday life, so I went out and wrote about, for example, Chengdu’s river channel improvement project, the living conditions of the blind, etc. The paper wasn’t making any money, so after two months it couldn’t go on. Right around that time, Chengdu Commercial Daily (《成都商报》) was founded by He Huazhang (何华章), and I joined as part of the earliest team, in charge of social reporting. Later I also edited the front page, and was one of the editorial managers.
Chengdu Commercial Daily pursued a vernacular style. Our reports, even some headlines, were written in everyday Sichuan dialect. When reporting the annual Two Sessions in Beijing, all newspapers had the same headlines as the People’s Daily, something like “The National People’s Congress Solemnly Opens in Beijing,” while our headline was simply, “NPC Held Meeting.” We were criticized for being not serious.
YC: Indeed, revolt often begins from aesthetics and taste.
Chang Ping: Chengdu Commercial Daily was an immediate success and made a lot of money. A year later, the municipal Party propaganda department took it into their hands as their own cultural achievement. Later, the paper formed a media group by consolidating with the Chengdu Evening News, which had been the leading paper of the city, a radio station, a TV station, and literary magazines, and was listed on China’s stock exchanges.
As Chengdu Commercial Daily became more and more mainstream, meaning more and more like the Party’s mouthpieces, my difference with other editors widened. I remember in early 1998 when the rock singer Cui Jian (崔健) issued “The Power of the Powerless,” I sent a reporter in Beijing to interview Cui and he talked about the difficulty of revolt. The propaganda department was very unhappy about it and chided me harshly. My commentaries were also criticized for “promoting a capitalist view of the press.”
Another event was the death of Deng Xiaoping in 1997. We had never experienced anything like that and didn’t know how to report it. But all Chinese held the wisdom that you can’t mess around with this, and you must do whatever People’s Daily does. You have to use the standard script issued by Xinhua News — but how do we design the page? We studied how papers reported Mao Zedong’s death, what font and what size of font were used for headlines. As the Party’s mouthpiece in Sichuan, the Sichuan Daily had no pressure; they simply waited for the phototypesetting of People’s Daily that was sent to all over the country — at that point it was phototypesetting printing. Our pressure came from the market. We wanted to publish early. So the editor-in-chief came up with an idea. He went to the printing factory and cheated out the phototypesetting of the People’s Daily. The next day, Chengdu Commercial Daily was the first paper in the city with the news. We were so happy about our cleverness!
About a week later, I saw a weekend paper from Guangzhou. On the left it was a large photo of Deng Xiaoping, on the right the headline was simply “Mr. Deng Passed Away.” The text below was also Xinhua’s standard announcement, the same as everyone else. I was rather shocked: what we thought was creative and smart was really nothing; we were just toadying.
I didn’t want to stay in Chengdu anymore. I met with Shen Hao (沈灏), the news director of Southern Weekly (《南方周末》), who was in Chengdu on business. He wanted me to join the rising Southern Weekly. So I did.
YC: Shen Hao was sentenced to four years in prison last year and paraded on CCTV giving “self-confessions.”
Chang Ping: He Huazhang has also been also detained. He was working at Sichuan People’s Publishing House in 1989. His career stalled because he joined the protests. He left the state system to found Chengdu Commercial Daily. The success of the paper catapulted him to hero status in China’s market reforms. He returned to government and became head of the municipal Party propaganda department and deputy mayor. He was taken into custody by the CCDI, the Party’s disciplinary committee, following the fall of Zhou Yongkang (周永康). He’s been in detention for a year or two already without trial. Many Party officials are in the same situation: no legal procedures are applied to them, and there’s no news reporting on them.
YC: Southern Weekly attracted a lot of young and idealistic reporters.
Chang Ping: At Southern Weekly, I reported on local government corruption, and environmental degradation. In 1998, there were floods across China. Jiang Zemin (江泽民) and Zhu Rongji (朱镕基) stood in the Yangtze River and reporting abounded. Southern Weekly made a plan to investigate the cause of the flood along the Yangtze River, beginning from the Tibetan plateau. Most of our series were observations: deforestation and soil erosion. I wrote similar things too, but I wasn’t satisfied. I wanted to look for stories. In Barkam (马尔康), northern Sichuan, I found a tree feller who had been honored for years as a model feller. He told me, “Now I feel the flood has something to do with me.” I wrote a report titled “The Last Model Feller,” because my sense was that there would be no more model fellers anymore, and it was a big success.
But soon Southern Weekly was “rectified.” Shen Hao was removed, and columnist Yan Lieshan (鄢烈山) and editor Cao Xihong (曹西弘) were censored.
YC: Why the rectification?
Chang Ping: Shen Hao organized a lot of reporting on the dark side of society — for example, publishing illustration of the varieties of torture police used to extract confessions. Yan Lieshan was an essayist well known for incisive criticism. Cao Xihong was the first to investigate the dark secrets of the railway and communication industries that the state monopolized.
After the rectification, I was appointed first the deputy director, and then the director, of the news department. I was responsible for news planning, page layout, and the deployment of reporters and editors. I also edited the front page, the Reporter’s Observations page, and the investigations page. Almost every weekend, I’d go out for stories, and I reported on judicial corruption, pollution, women’s rights, gay rights, and more.
At the time we tried to record changes in Chinese society using methods from anthropology and sociology. For example, we chose a village, a township, and a street in the heartland, the West, and the coast respectively — our plan was to revisit the same place at the end of every year for ten years to record its changes. I was forced to leave Southern Weekly three years later, but the editors and reporters continued and completed the plan. Ten years later, they published a book titled Here and There: A Report on the Transformation of Grassroots China (《这儿与那儿:中国转型期基层调查》).
YC: I’ll find that and take a look.
Chang Ping: I’ve always wanted to be an independent voice. At that time the majority of the journalists and commentators with dissenting views went about it by latching their own ideas onto those already in the air. For instance they’d take the “Three Represents” (三个代表) and try to explain the positive aspect of the theory, and then add in their own understanding: “Only by moving towards democracy, rule of law, and liberty will the will of the people be truly represented.” But I look at things differently. I am extremely sensitive to language. Words are not just a means of expression, they are the expression in and of itself. So if you even use “Three Represents” or similar slogans, you’re doing propaganda for it, no matter how much you try to smuggle in your own stuff. Also with Falun Gong — we were required to write about it as a political task, but we stubbornly resisted. We basically didn’t do any reports, whether good or bad. I got accused by some people of “rejecting the mainstream.”
In the spring of 2001 there was the case of Zhang Jun (张君), who for a while was a notorious triad boss. He robbed banks, killed cops, and had a record throughout Hubei, Hunan, and Chongqing, and of course had numerous mistresses. It had all the ingredients of a Hollywood movie. He was caught by Chongqing Public Security Bureau led by Wen Qiang (文强). In a photo, Wen had him on the ground, one foot on his face, and announced: “Zhang Jun is under my foot.” Wen Qiang, of course, was later executed by Bo Xilai (薄熙来) for protecting the mafia.
YC: And then Bo Xilai was himself jailed by Xi Jinping. In the Communist Party’s autocratic politics, anyone in the system can just be peeled off like a layer of cabbage — no one’s safe. Who’s to say that, in a few year’s time, Xi Jinping won’t be the one in jail?
Chang Ping: The capture of Zhang Jun was a big grand achievement for Chongqing public security — a chance for them to really bignote and back-slap themselves. They organized a lot of interviews, and a CCTV crew also went to interview Zhang Jun face-to-face in the detention center. I was mulling over how we should cover the case at Southern Weekly. Media around the country were running the story front page every day, and we were a weekly publication, so we were already a bit behind. I sent journalists to write a piece about how Zhang Jun grew up. It was titled: “Exploring the Zhang Jun Case: The Rise of a Brutal Syndicate” (《张君案检讨 – 一个极端暴力集团的成长》). It traced the story of how a simple village kid who left home to become a migrant worker in the end became the head of a triad group. It also scrutinized the operations of China’s criminal justice organs. As Zhang Jun himself put it, every time he entered prison, he came out worse. The article sent shockwaves through Hunan and Chongqing. Party bosses there wrote a letter to the Central Propaganda Department, saying Southern Weekly could even turn such a monumental achievement of law enforcement into a smear against socialism, against rural policies, and against the public security agencies.
In the autumn of 2001 Southern Weekly was “rectified” once again, after four articles we published were specifically called out and criticized. Editors and journalists were moved on and sacked. One of the four was the Zhang Jun investigation, and of the other three, one was about a cemetery for Red Guards who died in the Cultural Revolution, called “A Chongqing Cemetery Buries the Cultural Revolution’s Young Warriors” (《青春墓地埋葬重庆文革武斗》). Another was about a massive explosion in the city of Shijiazhuang, where the censors thought we’d just reported too many details. The last was a commentary about the situation in the Middle East, which made the key point that dictatorship is the source of turmoil in that region.
After those four articles were specifically named as problematic, I was removed, the editor-in-chief Jiang Yiping (江艺平) was transferred, and the deputy editor-in-chief was also transferred out. That was also the biggest turning point for Southern Weekly. I was transferred to be the deputy general manager of the circulation department — so I hadn’t actually been fired. They gave me a job title and salary, but no work.
YC: So it was just about two years after the previous “rectification.”
Chang Ping: Right. It was a time when independent voices won an unprecedented level of prestige for Southern Weekly, and it brought so much space for the imagination in freedom of speech and political reform in China. The paper also became a model that journalists and editors around China aspired to emulate. Many pro-reform scholars and lawyers were also very supportive. But it was all along also a target of repression.
YC: How many pages was the newspaper then?
Chang Ping: At the beginning it was 8, then we doubled, and then went to 24 pages. Sometimes we also added pages, and there were also experimental pages. On the professional side, Southern Weekly was really at the vanguard for trying new things, and it brought together so many people in the industry who had ideals, in particular many brilliant writers in the field. Our reports were very carefully done, and the writing was always well-crafted. Layout was exceptional, too — when I became the director of news, I put a lot of energy into photography and page design.
I left soon after I lost my editorial position. CCTV had just begun a new channel, 12, and I was invited to be the editor of a talk show. I did that for two months, so I gained some understanding of CCTV. But I simply couldn’t stand the culture there. I had to get out. In 2002, with friends from Chengdu and Guangzhou, we founded The Bund (《外滩画报》) in Shanghai. Shanghai is a city with extremely strict ideological controls — there’s a certain lifelessness about it. We hoped to inject some vitality into the place, but from the beginning we were put under strict monitoring and control. We hardly had space to operate. In 2003 I accepted an offer from the University of California, Berkeley, for a one year visiting scholarship. After I returned I went back to The Bund as deputy chief editor. In 2005 the propaganda department was unhappy with the job our official supervisor, the Shanghai Literature and Art Publishing House (上海文艺出版社), was doing keeping us in line, and they forced them to sell us to the Wenhui Xinmin United Press Group (文新集团). They didn’t want to buy, and we didn’t want to sell, but the deal went through regardless.
YC: It sounds similar to what happened recently with Yanhuang Chunqiu.
Chang Ping: Right. The Bund is still around, though it’s now turned into a fashion magazine. In 2005 I returned to Guangzhou and rejoined the Southern Group, running Southern Metropolis Weekly (《南都周刊》) as the deputy chief editor in charge of daily operations.
Southern Metropolis Weekly is a magazine of urbanized China — it focuses on civil society, the environment, women’s rights, and issues related to rights movements, ideas, culture, and so on. It’s relatively moderate in tone compared to Southern Weekly, but it’s still been hit with a lot of criticism by the authorities.
In the midst of all this, I also started writing a syndicated column, commenting on current affairs and culture. In April 2008 I published a commentary in the Chinese version of Financial Times titled: “Tibet: Nationalist Sentiment and the Truth” (《“西藏：真相与民族主义情绪”》). This was after the March 14 unrest in Tibet, where official media failed to carry any substantial reports, while social media and a number of websites let loose with a barrage of criticism against CNN, BBC, and other foreign media, accusing them of false reporting. In the piece, I wrote that if their concerns were really about news values, they shouldn’t be exclusively focused on exposing the misreporting of the Western press, but should also be calling into question the information found in the Chinese media, and the strict controls over the press in China. The latter deals far greater damage to the media environment than the former, the column argued. I also suggested that the narrow-minded Han nationalism common in China should be carefully examined. That article stirred up a tempest, and websites like China Online, KDnet, Utopia, and a few other Han nationalist sites pinned it on top of the page, and went into overdrive hyping it up. Just a single one of these forum posts got several hundred thousand hits, with tens of thousands of comments, most of them attacking me. Some people even threatened that they’d harm me and my family.
At the time too there was a Duke University student, Grace Wang (王千源), who during a campus demonstration was accused of supporting Tibetan independence. She was attacked by Chinese students at Duke, and her parents in China were attacked too. Her parents had to move into a hotel for their own safety, after attackers left feces at their door.
Beijing Evening News (《北京晚报》) took the rare step of publishing an article directly attacking me, called “Chang Ping Is a Rumormonger” (《造谣自由的南都长平》). The author, Mei Ninghua (梅宁华), writing under the pseudonym “Pen Spear” (文锋) was the president of Beijing Daily [the official mouthpiece of the Beijing municipal propaganda department]. His article caused an uproar. This dispute was the opening volley in a five year-long running debate about universal values, which Xi Jinping shut down in 2013.
Because of this I was again removed from my post, and prohibited from doing any work in the newsroom. They transferred me to the Southern Media Group’s research institute. But I kept writing columns for Southern Weekly and Southern Metropolis Daily (《南方都市报》). After six months those columns were also brought to a halt. They told me that if I agreed to stop writing, I might be able to keep my job. I refused, and kept publishing current affairs commentary in other outlets. At the end of 2010 the propaganda department demanded that the Southern Media Group completely cut off all association with me.
Newspapers, websites, and publishing houses around the country were from that point on prohibited from publishing or printing my articles or books, and websites were ordered to delete my previously-published articles and author information. At that point I had a large number of readers, and a lot of websites syndicated my blog, even real estate websites carried my column. It wasn’t me updating them. I saw myself disappearing from the internet before my own eyes — they weren’t only not publishing me, but erasing my existence. For a while, it was hard to even find my name online.
YC: It’s terrifying when you think about it. As long as they want to do it, they can make someone disappear. They can also make history, or reality, disappear. Even a journalist such as yourself can turn into such a nightmare for them, so much so that they want to expunge you completely.
When the wave of arrests in spring 2011 took place during the so-called Jasmine Revolution, what were you doing?
Chang Ping: I was a visiting scholar at Hong Kong Baptist University, and like a lot of mainlanders who came to Hong Kong to study, I went home on the weekends. Someone said to me at one point: You shouldn’t go back. Apart from writing my columns, I don’t do anything else — so should I follow this instruction and not go home? I didn’t want to be intimidated. It just so happened that right at that time I received an invitation to go to France for a forum. A number of others, including Yu Hua (余华), Zhan Jiang (展江), and Yu Jianrong (于建嵘), also participated. When I was in Paris, police in China came to my home to arrest me.
When I went back I remained in Hong Kong and helped found iSun Affairs (《阳光时务》.)
YC: iSun Affairs was a publication with serious ambition, and it brought together so many talented people, including yourself and Cheng Yizhong (程益中), who also worked for years in the Southern newspapers. iSun’s reporting on Wukan (乌坎), in particular, left a deep impression on me. You were chief editor at the time, but a lot of people may not realize that you were in Germany and had turned your schedule upside-down to work remotely. What happened there?
Chang Ping: I never expected it, but the Hong Kong government dragged out the approval of my work visa for two years (and in the end, rather than say that they had “rejected” it, they simply said that they “were no longer processing it.”) They came up with all sorts of reasons for investigating me, including an absurd attempt to establish whether or not I had taught illegally when I was a visiting scholar at Hong Kong Baptist University. As soon as they did this, it was clear that I couldn’t return to mainland China. With a PRC passport I could stay in Hong Kong for seven days at a time, so every weekend I flew to neighboring countries for “vacation,” including Malaysia, Indonesia, and Cambodia. After two months of that, Hong Kong immigration personnel told me that I couldn’t stay in Hong Kong like that — I would have to return to China or else the next time I arrived, there’d be trouble. So I never went back. After I received an invitation from the Heinrich Böll Foundation, I went from Cambodia to Germany.
Thanks to the support of my Hong Kong colleagues, I was able to stay on as the chief editor of iSun Affairs, working from Germany, for the next two years. But it also was extremely difficult, and the magazine was banned in China. In the end, we parted ways. I stayed in Germany and continued writing commentary for publications in Germany, Hong Kong, and Taiwan, and continued to address the Chinese authorities’ repression.
YC: So in that case you haven’t been able to return to China since 2011. iSun Affairs had to shut down after a little over a year; one of the main investors, Chen Ping (陈平), was violently attacked in Hong Kong, Cheng Yizhong relocated to the United States, and you went to Germany. Later you wrote a column for Deutsche Welle and South China Morning Post, and got into an intense debate with another Deutsche Welle columnist, Frank Sieren, about the June 4 massacre. After SCMP was sold to Jack Ma, they immediately shut down your column. Earlier this year when the letters urging Xi Jinping to resign came out, your family in China was harassed.
Of course, the storied Southern Weekly is no more after the “Southern Weekly Incident” in January 2013. A great experiment has ended.
In 1999 “Southern Weekly” published a very famous New Year’s dedication, titled “There is a power that moves us to tears,” which said in part: “May the powerless be empowered, and may the dispirited continue forward.” This line inspired a generation of aspiring media figures. Now in 2016, press freedom in China has not only failed to progress, but has regressed dramatically. Please share some final thoughts for our interview today.
Chang Ping: Many years ago we were very optimistic. At that time I believed that every step made in the news field would promote progress in Chinese society, and that every word we wrote contained power — even if it could only be measured in milligrams. Looking back now, I often feel quite dejected. China is going backwards in so many areas. But I have never doubted the value of fighting for freedom of expression. Even if there’s no tomorrow, we still need justice today. It’s just as I put it in my acceptance speech for this award in Toronto: freedom of expression is not merely necessary for all other freedoms, but speech itself is freedom.
I made the following line the signature for my blog and social media accounts for many years: “If criticism is not free, praise is meaningless.” A friend and I translated it from the French: “Sans la liberté de blamer, il n’est point d’éloge flatteur.” It became popular and widely quoted in China, and made many people come to see how meaningless the Chinese government’s self-flattery is once it has gone around crushing all dissenting views. It makes us also see the value of critique, which was the goal of my being in the news and commentary field for so long. Now, I could disappear, but these ideas are already deeply rooted in the hearts and minds of the Chinese people.
Chang Ping (长平) lives in Germany. Follow him on Twitter @chang_ping
Yaxue Cao (曹雅学) edits this website. Follow her on Twitter @YaxueCao
China’s ‘Freedom’ Cage, by Chang Ping, 2015.
‘Speech Is Freedom Itself’ – Chang Ping’s Acceptance Speech for the CJFE 2016 International Press Freedom Award, December 1, 2016
The Virus of Censorship, by Cheng Yizhong, 2012.